Creative Markets

Thu 31 March, 5:30pm - 8:30pm

Venue: The Swan in the Rushes, Loughborough

FREE

Book Tickets

This workshop is for creative people interested in exploring the opportunities of Loughborough as a market place for their work, whether that’s for profit or social capital. It will include presentations about specialist and pop-up creative markets that are inspiring and locally relevant, discuss the benefits of using a market stall as a testing ground/marketing opportunity, and how markets can create a network of mutual support and build critical mass.

You can expect to hear current ideas and plans for a new Creative Market, which will take place in the town centre later in 2016, as a way of gathering and testing interest in this as a model for Loughborough. You will have the opportunity to discuss and find out more about how to take part. We will also be hearing from:

Bird in Borrowed Feathers – a team of creatives who organise exciting contemporary craft fairs in Nottingham city centre. Their events bring together a huge range of designers, makers, creatives and small businesses.

Ceramics in Charnwood – Local artists David and Louise Salsbury have developed this annual contemporary ceramics market over the last five years. Hear about how the market has grown and how it benefits its stallholders.

Loughborough to Margate – Observations on the creative ecology and ways creative professionals are collaborating, co-working and networking in the town of Margate.

This event has been curated for Market Town by The Refectory Table. Based in Loughborough, created and run by Janet Currie, The Refectory Table offers inspirational creative business courses, workshops and events for makers, artists and independent businesses.

This is one of a number of workshops/seminars organised as part of the current Market Town programme.  They are intended to further investigate the themes explored in the main commissions, and to engage the local community in the debate about the future of Loughborough.

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March 2018

The Object is Alive Exhibition - Mike Cooter - The Mimic, the Model and the Dupe

March 2018

The Object is Alive Exhibition - Mike Cooter - The Mimic, the Model and the Dupe

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Radar has invited artist Mike Cooter to actively engage with New Walk Museum’s collection, taking inspiration from the work of Polish artist and theatre maker Tadeusz Kantor, whose work was concerned with the role and status of the object. The Mimic, the Model and the Dupe, will draw on Kantor’s Anti-Exhibition (1963) and Leicester-born naturalist Henry Walter Bates’ (1825 -92) research into a form of mimicry that would take his name. Working across holdings from fine art, natural history, industrial design, decorative arts and material cultures, the exhibition will look to explore how the objects in the collection both perform and reproduce themselves through their own agency and in symbiotic relationship with organisations that host them.

Kantor has been extensively researched by Dr Dan Watt, Senior Lecturer in Drama, Loughborough University. The exhibition is part of a wider programme, entitled ‘The Object is Alive’, that has invited artists to develop new exhibitions in response to the work of Kantor and their own interest in the agency of the object. The exhibition will be accompanied by a major symposium on the influence of Kantor taking place at Loughborough University on the 28th April 2018.

Associated Events

Symposium - Kantor and his influence
Saturday 28th April, 10am-5pm
Martin Hall, Loughborough University
Free / Ticketed
More information & bookings

Exhibition Walk-Through with Mike Cooter
Saturday 5th May, 2pm
New Walk Museum & Art Gallery, 53 New Walk, Leicester, LE1 7EA
Free / Ticketed
Artist Mike Cooter will guide you through his exhibition, introducing his thinking and the works themselves.
To book, please click here

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April 2018

Talk - Vikki Jessop

April 2018

Talk - Vikki Jessop

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Vikki will give a talk about ways in which different artworks can be installed in different places. She will share examples of best practice including how to plan and prepare for such work.  In this talk Vikki will share her own professional experience as well as examples from others. This session is designed for students but all are welcome.

Vikki Jessop currently works in the Department of Ancient Egypt & Sudan at the British Museum. After finishing her A-Levels, Vikki’s career in the arts began by volunteering in galleries and museums across Birmingham and Liverpool, she then undertook an apprenticeship at Ikon, Birmingham.

Following this she moved to London to work at Whitechapel Gallery with Rachel Whiteread on her permanent site-specific commission for the building.

Vikki then joined the V&A’s technical services team, whilst still working at Whitechapel Gallery as a Duty Manager and installation technician. Within a year of being at the V&A, Vikki was appointed Head Technician for the Disobedient Objects exhibition which opened in 2014. Alongside work at the V&A, Vikki has also freelanced for several galleries across the UK and also worked on mount- making for Banksy’s 2015 Dismaland project.

 

 

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April 2018

Symposium - Kantor and his influence

April 2018

Symposium - Kantor and his influence

Click to read more

***PLEASE  NOTE THAT THIS EVENT HAS BEEN POSTPONED***

One of the speakers has had to withdraw from the symposium and combined with a low number of advance bookings we have decided to postpone this event until later in the year. Please keep checking our website for announcements on a new date. We are sorry for any inconvenience or disappointment caused.

The work of the Polish artist and director, Tadeusz Kantor, frequently challenged the nature of the object, whether through surreal détournement of the function of a thing, or the bizarre fusion of the performer and the object into a hybrid, struggling identity, striving for new forms of expression, Kantor was haunted by the idea of the possible ‘liveness’ of materials.

This symposium aims to respond to the work of contemporary artists, commissioned by Radar, who are also responding to Kantor, through particular relationships to things, sites, museums and galleries. How might Kantor’s culturally specific ‘poor object’ find itself transformed across decades into a new Europe and a new media age?

Including guest speakers on Kantor and contemporary art practice and panel discussions on objects, Kantor’s history and performance practices (from actors, artists and academics), the symposium offers an opportunity to discuss the legacy of Kantor and the impact of object-based practice today.

Confirmed speakers:

Dr Dan Watt, Loughborough
Dan Watt is Programme Director for Drama at Loughborough University. He gained his PhD from Sussex in 2003, where his thesis explored fragmentary writing in the work of Maurice Blanchot, Samuel Beckett and J.M. Coetzee. He joined Loughborough in 2006. His research interests include philosophical and literary influences on theatre and performance in the twentieth century, specifically in the work of Tadeusz Kantor, and his research includes investigating the nature of abject objects.

Dr Richard Allen, Worcester
Richard Allen is Senior Lecturer in Fine Art at the University of Worcester. He graduated from Wimbledon College of Art with an MA in Visual Performance (2008) and a PhD in Performance Practice from Aberystwyth University (2014). His work investigates the agency and theatricality of objects through the making of performances, films, essays and publications, including writings about the bio-objects of Kantor.

Noel Witts, Professor of Performing Arts
Noel Witts was born in Swansea and did a degree in English at the University of Leeds, where his theatrical interest started. For the last 10 years he has been busy developing undergraduate and postgraduate courses in the Performing Arts at a variety of UK universities. He has developed international contacts for young theatre practitioners in Poland, Romania, Armenia, and other European countries and is interested in the theatre of Kantor.

Dr Klara Kemp-Welch, Courtauld Institute
Klara Kemp-Welch is Lecturer in 20th-century Modernism at the Courtauld Institute. Klara Kemp-Welch was educated at University College London and the School of Slavonic and East European Studies (BA French and Art History, 1999; MA Russian and East European Literature and Culture, 2001; PhD History of Art, 2008). She has published writings about Kantor, and her next book, Networking the Bloc: International Relations and Experimental Art in Eastern Europe 1968-1989, will be published in 2018.

Dr Martin Leach, DMU
Martin Leech is Senior Lecturer in Dance at DMU. Martin’s first degree was in English and Drama at the University of Hull. After graduation he won a Polish Government scholarship to study theatre directing in Poland from 1982–1983. He recently successfully completed his PhD thesis, a philosophical study of Kantor: ‘Even the thing I am …’: Tadeusz Kantor and the Poetics of Being.

Mike Cooter, Artist
Artist Mike Cooter  has  lectured  widely,  written  on  the  history  of  exhibitions  and  recently  completed a PhD at Goldsmiths, London. His current exhibition The Mimic, the Model and the Dupe at New Walk Walk Museum, Leicester (commissioned by Radar) explores the role of objects through the Museum's collection and is inspired by Kantor's work. His work investigates  the  structural  agency  of  objects,  be  they  sculpture,  cinematic  props or other anthropological artefacts - objects co-opted or created to drive narratives, fictional or otherwise.

Image: Research photograph (with thanks to Michael Asher), Mike Cooter, 2017. Boiler heating the Abbey Pumping Station, home of Leicester City Council’s Industrial History Museum.

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Loughborough University Arts

Martin Hall Building

Loughborough University

Loughborough LE11 3TU, UK

luarts@lboro.ac.uk

01509 222 948

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