Digital Citizen

Thu 11 February, 6:30pm - 8:30pm

Venue: The Swan in the Rushes

FREE

Book Tickets

In the last five years, the UK’s digital economy has changed beyond recognition. Every part of the UK economy and our lives has been digitised – from how we shop and entertain ourselves to the way we travel to work and manage our health. For some the digital revolution has been seen as contributing to the decline of our high streets, but the focus of this seminar will be about the positive contribution the digital can make to communities, how it can enhance the town centre customer experience and support the prosperity of our town centres.

The seminar will consider both the huge changes that have taken place and how as an individual, or digital citizen, we can utilise digital technology in order to actively engage with the world around us. Featuring a panel of leading practitioners, united by their research and practice, this seminar will offer an opportunity to discuss the transformational impact of digital technologies on community life, cultural experiences, future society, and the economy. We will be hearing from a cross section of individuals working in this field:

Ben Eaton
Ben Eaton is the lead digital artist for Invisible Flock; three interactive artists based in Leeds. They make highly participatory live and digital work on a large scale. Drawing from real life, their practice invites people to reimagine the world they live in and how they participate in it, using technology to incite meaningful encounters. Invisible Flock have made seafront installations powered by apps interacting with nautical buoys floating out at sea, sound walks across Morecambe Bay accompanied by the Queen’s last Sand Pilot, created revolutionary communities via SMS, new pieces that span continents as well as work for galleries such as the V&A, MIMA and John Hansard and festivals such as The Tbilisi International Festival, Brighton Festival, L’Entorse Lille and Unbox India.

Guy Douglas
Guy Douglas recently served as the principal consultant to the government’s Future High Streets Forum’s Digital High Street Advisory Board, and was the project manager for the Digital HighStreet 2020 policy report to Department for Communities and Local Government and Department for Business, Innovation and Skills, published in March 2015. He currently runs Connected Places UK, an independent consultancy with a focus on the digital high street agenda, with emerging thinking on “Smart City 2.0” and incorporating the online-mobile-digital experience into place management.

This is one of a number of workshops/seminars that are being organised as part of the current Market Town programme.  They are intended to further investigate the themes explored in the main commissions, and to further engage the local community in the debate about the future of Loughborough.

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October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

An audio-visual installation at Loughborough's Carillon by artist Sam Belinfante as part of Radar's (re)composition project.

Click to read more

Sat 27 & Sun 28 October, 11am-4pm
Fri 2, Sat 3 and Sun 4 November, 11am-4pm

Artist talk: Fri 2 November, 12.30pm
FREE - no booking required

Recorded in Loughborough’s Carillon over the course of a weekend, Sam Belinfante’s audio-visual installation considers processes of ageing as markers of time passing; a resonant issue for thinking through and about sound as a medium. 

Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay that touch the Carillon and the people and objects that coalesce around it. The work documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration. 

Installed in the ground floor of the Carillon tower, in a space ordinarily used to display objects from the Carillon Museum collection, the film celebrates small acts of care while reflecting on the impossibility of reversing material entropy. Whilst the Carillon is an enduring musical symbol of Loughborough, Belinfante’s approach eschews more obvious explorations of identity for a quiet meditation on the caring processes that are integral to all musical performances, instruments and the maintenance of a place’s identity. Sound, curation and performance intertwine in a struggle of preservation and de-composition. 

This event is part of (re)composition, Radar's main commissioning strand for 2017/18, which explores how music makes place and places make music. The project draws on the research of Dr Allan Watson in Loughborough University's Department of Geography, and has expanded to engage with research across the Social Sciences. More information on (re)composition here.

Photo: Sam Belinfante at the Carillon, credit Benjamin Warner

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November 2018

Sam Belinfante: Artist Talk

November 2018

Sam Belinfante: Artist Talk

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This talk accompanies the audio visualation at the Carillon in Queens Park, Loughborough. 

Sam Belinfante’s audiovisual work considers processes of ageing as markers of time passing. Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay which touch the Carillon and the people and objects that coalesce around it. It documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration.

If you would like to attend the installation event you can find out more HERE

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Loughborough University Arts

Martin Hall Building

Loughborough University

Loughborough LE11 3TU, UK

luarts@lboro.ac.uk

01509 222 948

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