Exhibition Preview: The Object is Alive - Matthew Darbyshire

Fri 27 January, 6:00pm - 8:00pm

Venue: Nottingham Castle Museum & Art Gallery, Lenton Road, Nottingham, NG1 6EL

Join us for the Preview of the first in a new series of exhibitions as part of The Object is Alive.

The Object is Alive has invited British artist Matthew Darbyshire to develop a new exhibition that actively engages with Nottingham Castle Museum & Art Gallery and its collection, and is influenced by the work of Polish artist and theatre maker Tadeusz Kantor, who was interested in the role and status of the object.  Matthew has reimagined 12 objects from Nottingham Castle’s collections – including 20th century studio pottery, modernist sculpture and even a grenade from the Regimental Museum. By playing with scale and devising new materials and techniques, including experimenting with different concrete formulas, he has created a series of new works exclusively for the Castle. 

The Object is Alive: Matthew Darbyshire is the first in a series of exhibitions that actively explore the role of object as discussed in Kantor’s writing and artistic outputs. Funded by Arts Council England and the Henry Moore Foundation, this exhibition is part of a collaborative project with Radar at Loughborough University, and will be followed by Mike Cooter at New Walk Museum, Leicester (Winter 2017), and Giles Round at Derby Museums (Spring 2018).

For more information: http://www.nottinghamcastle.org.uk/exhibitions/the-object-is-alive-matthew-darbyshire 

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October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

An audio-visual installation at Loughborough's Carillon by artist Sam Belinfante as part of Radar's (re)composition project.

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Sat 27 & Sun 28 October, 11am-4pm
Fri 2, Sat 3 and Sun 4 November, 11am-4pm

Artist talk: Fri 2 November, 12.30pm
FREE - no booking required

Recorded in Loughborough’s Carillon over the course of a weekend, Sam Belinfante’s audio-visual installation considers processes of ageing as markers of time passing; a resonant issue for thinking through and about sound as a medium. 

Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay that touch the Carillon and the people and objects that coalesce around it. The work documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration. 

Installed in the ground floor of the Carillon tower, in a space ordinarily used to display objects from the Carillon Museum collection, the film celebrates small acts of care while reflecting on the impossibility of reversing material entropy. Whilst the Carillon is an enduring musical symbol of Loughborough, Belinfante’s approach eschews more obvious explorations of identity for a quiet meditation on the caring processes that are integral to all musical performances, instruments and the maintenance of a place’s identity. Sound, curation and performance intertwine in a struggle of preservation and de-composition. 

This event is part of (re)composition, Radar's main commissioning strand for 2017/18, which explores how music makes place and places make music. The project draws on the research of Dr Allan Watson in Loughborough University's Department of Geography, and has expanded to engage with research across the Social Sciences. More information on (re)composition here.

Photo: Sam Belinfante at the Carillon, credit Benjamin Warner

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November 2018

Sam Belinfante: Artist Talk

November 2018

Sam Belinfante: Artist Talk

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This talk accompanies the audio visualation at the Carillon in Queens Park, Loughborough. 

Sam Belinfante’s audiovisual work considers processes of ageing as markers of time passing. Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay which touch the Carillon and the people and objects that coalesce around it. It documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration.

If you would like to attend the installation event you can find out more HERE

External Link

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Loughborough University Arts

Martin Hall Building

Loughborough University

Loughborough LE11 3TU, UK

luarts@lboro.ac.uk

01509 222 948

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