For & Against! The Art of the Pamphlet - Exhibition

From: Fri 26 May, 10:00am
To: Sat 24 June, 10:00am

Venue: Charnwood Museum, Loughborough

Free entry

The political tradition of the pamphlet goes back centuries. The radical, simple format and DIY approach of the pamphlet, has been of long-standing significance for artists, providing alternative platforms for intervention and provocation.

Focusing on the pamphlet as a form of material culture, this exhibition curated by Gillian Whiteley will explore the local, private and public collections of pamphlets, their visual rhetoric, materiality, reproducibility and the ways in which they lend themselves to topicality.

27 May – 24 June: Open daily (Tues – Sat, 10am – 4.30pm)

(Image: Phil Wilson)

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October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

An audio-visual installation at Loughborough's Carillon by artist Sam Belinfante as part of Radar's (re)composition project.

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Sat 27 & Sun 28 October, 11am-4pm
Fri 2, Sat 3 and Sun 4 November, 11am-4pm

Artist talk: Fri 2 November, 12.30pm
FREE - no booking required

Recorded in Loughborough’s Carillon over the course of a weekend, Sam Belinfante’s audio-visual installation considers processes of ageing as markers of time passing; a resonant issue for thinking through and about sound as a medium. 

Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay that touch the Carillon and the people and objects that coalesce around it. The work documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration. 

Installed in the ground floor of the Carillon tower, in a space ordinarily used to display objects from the Carillon Museum collection, the film celebrates small acts of care while reflecting on the impossibility of reversing material entropy. Whilst the Carillon is an enduring musical symbol of Loughborough, Belinfante’s approach eschews more obvious explorations of identity for a quiet meditation on the caring processes that are integral to all musical performances, instruments and the maintenance of a place’s identity. Sound, curation and performance intertwine in a struggle of preservation and de-composition. 

This event is part of (re)composition, Radar's main commissioning strand for 2017/18, which explores how music makes place and places make music. The project draws on the research of Dr Allan Watson in Loughborough University's Department of Geography, and has expanded to engage with research across the Social Sciences. More information on (re)composition here.

Photo: Sam Belinfante at the Carillon, credit Benjamin Warner

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November 2018

Sam Belinfante: Artist Talk

November 2018

Sam Belinfante: Artist Talk

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This talk accompanies the audio visualation at the Carillon in Queens Park, Loughborough. 

Sam Belinfante’s audiovisual work considers processes of ageing as markers of time passing. Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay which touch the Carillon and the people and objects that coalesce around it. It documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration.

If you would like to attend the installation event you can find out more HERE

External Link

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Loughborough University Arts

Martin Hall Building

Loughborough University

Loughborough LE11 3TU, UK

luarts@lboro.ac.uk

01509 222 948

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