Show Me How - Ethical Jewellery & DIY Household Products

Thu 17 September, 6:00pm - 8:00pm

Venue: Market Town Corner

FREE

Book Tickets

Back by popular demand, Show Me How returns for one final practical making session!

Join us for the last of the Show Me How making sessions initiated by artist Ania Bas to explore the value of local manufacturing, sharing, co-working, and co-operation. As we wave a sad goodbye to the project, we will be running an evening of not one but two practical making sessions, led by local makers and accompanied by refreshments and the opportunity to discuss ideas and issues around making and co-working.

These sessions represent the culmination of the knowledge and skills sharing that has been taking place throughout the project, as participants from previous sessions now become the teachers and step forward to share their own skills.

Session One: make an accessory or piece of jewellery with Mariana Rubino, the creative mind behind the ethical jewellery and accessories brand Beauty in Obsolescence, which strives to find new uses for 'obsolete' materials, thereby minimising their impact on the environment.

Session Two: make household products out of natural, everyday ingredients with Emma Ward, a single mum and part-time postgraduate student in Linguistics, who creates inexpensive natural alternative to chemical-filled, expensive commercial products.

Each session will last an hour, and both are FREE to attend.

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October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

October 2018

Sam Belinfante: To the tintinnabulation that so musically wells

An audio-visual installation at Loughborough's Carillon by artist Sam Belinfante as part of Radar's (re)composition project.

Click to read more

Sat 27 & Sun 28 October, 11am-4pm
Fri 2, Sat 3 and Sun 4 November, 11am-4pm

Artist talk: Fri 2 November, 12.30pm
FREE - no booking required

Recorded in Loughborough’s Carillon over the course of a weekend, Sam Belinfante’s audio-visual installation considers processes of ageing as markers of time passing; a resonant issue for thinking through and about sound as a medium. 

Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay that touch the Carillon and the people and objects that coalesce around it. The work documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration. 

Installed in the ground floor of the Carillon tower, in a space ordinarily used to display objects from the Carillon Museum collection, the film celebrates small acts of care while reflecting on the impossibility of reversing material entropy. Whilst the Carillon is an enduring musical symbol of Loughborough, Belinfante’s approach eschews more obvious explorations of identity for a quiet meditation on the caring processes that are integral to all musical performances, instruments and the maintenance of a place’s identity. Sound, curation and performance intertwine in a struggle of preservation and de-composition. 

This event is part of (re)composition, Radar's main commissioning strand for 2017/18, which explores how music makes place and places make music. The project draws on the research of Dr Allan Watson in Loughborough University's Department of Geography, and has expanded to engage with research across the Social Sciences. More information on (re)composition here.

Photo: Sam Belinfante at the Carillon, credit Benjamin Warner

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November 2018

Sam Belinfante: Artist Talk

November 2018

Sam Belinfante: Artist Talk

Click to read more

This talk accompanies the audio visualation at the Carillon in Queens Park, Loughborough. 

Sam Belinfante’s audiovisual work considers processes of ageing as markers of time passing. Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay which touch the Carillon and the people and objects that coalesce around it. It documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration.

If you would like to attend the installation event you can find out more HERE

External Link

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Loughborough University Arts

Martin Hall Building

Loughborough University

Loughborough LE11 3TU, UK

luarts@lboro.ac.uk

01509 222 948

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