Show Me How for Families

Sat 11 July, 10:00am - 4:00pm

Venue: Market Town Corner, Unit 8, Carillon Court, Loughborough LE11 3XA

Book Tickets

These Show Me How for Families sessions are an opportunity for children and young people to learn new making and craft skills with the help of their parent(s), guardian or carer.

Crochet for Beginners

led by Sarah Green

Learn the foundation chain, which you need for every crochet pattern, and apply it to your first crochet project.

10am - 11am OR 11.30am - 12.30pm

An Introduction to Marquetry 

led by David Towers 

The session will introduce an easy to learn basic technique you can build on in the future to create your own woodwork designs. 

10am - 11am OR 11.30am - 12.30pm

Make a Xylophone

led by James Woodcock

Use copper tubing, wood off-cuts and other everyday materials to make and tune a simple xylophone.

1.30pm - 4pm (breaks included)

Functional Pottery 

led by Jo Koegh 

A range of simple techniques will be demonstrated for you to then test out together and have a go at making a function piece of pottery. 

1.30pm - 2.30pm OR 3pm - 4pm

You can come to one, or more, or all of the sessions but capacity is limited so booking is essential. 

Spaces on the sessions are limited to a maximum of five families per session. We are unable to take booking from just adults wishing to attend.

Some sessions will involve the use of tools. It's the accompanying parent(s), guardian or carer to decide what they are happy for their children to undertake. Guidance and further information will be available on the day.

Show Me How is part of Market Town, a programme of commissions and critical debate that sets out to re-imagine the future of Loughborough’s high streets.

Image: courtesy of Jubilee Arts Archive, The Black Country

Installation view They bow. Curtain. No applause., 2017, Spike Island, Bristol. Photo Stuart Whipps.jpg

February 2018

Artist Talk: Giles Round

February 2018

Artist Talk: Giles Round

Click to read more

Giles Round is an artist operating across a variety of disciplines including architecture, ceramics, design, print and typography. He engages with materials, processes and collaborators to address the relationship between art, design and functionality. As such the work is populated with citation and misappropriation of an extensive catalogue of collated references. Round’s recent exhibition They bow. Curtain. No applause. at Spike Island in Bristol drew on his professional experience as an exhibition designer to theatricalise the standard systems of display employed by galleries and museums. 

This talk will focus on the making of three recent exhibitions through the roles of artist, curator and designer. 

Recent exhibitions include They bow. Curtain. No applause., Spike Island, Bristol, 2017 (solo); We live in the office, RIBA, London, 2016 (solo); Design Work Leisure, part of ‘Underline’ series, Art on the Underground, London; Ljubljana, 1955, 31st Biennial of Graphic Arts, Galerija Jakopič, Ljubljana, Slovenia, 2015 (solo); AGAIN! SORRY! AGAIN! SORRY!, YOUNG TEAM, London, 2015 (solo); Commons Room, Grizedale Arts at Anyang Public Art Project Biennial, Anyang, South Korea, 2014.

Image: Installation view for They bow. Curtain. No applause., 2017, Spike Island, Bristol. Photo by Stuart Whipps.

External Link

Raúl de Nieves 2014.jpg

March 2018

Artist Talk: Kelly Large

March 2018

Artist Talk: Kelly Large

Click to read more

Kelly Large’s multi-disciplinary practice engages with acts of public appearance and the agency attached to ‘being visible’; especially how different registers of visibility and public-ness are entangled with the social relations of art practice and its presentation. In both her artistic and curatorial practices she explores these ideas through producing and commissioning live work that uses forms of social choreography to reconsider the relationship between individual and collective agency. In her talk she will discuss the complexities of commissioning live and site specific works in public and private contexts.

Kelly currently works as an independent curator; and as a tutor on the Curating Contemporary Art programme at the Royal College of Art. Between 2013–2016 she was Curator: Public Programme at Zabludowicz Collection, where she produced performances by Helen Benigson, Martin Creed, Alexandre da Cunha, Andy Holden, Raúl de Nieves, Jack Tan and Katrina Palmer; and worked with Rachel Maclean, Heather Phillipson, Jon Rafman and Ryan Trecartin amongst others. Recent projects include Empathy Flows, an evening of spoken word exploring the promotion and consumption of emotion with newly commissioned work by artists and poets; and Fictions Are Realities To Come, a series of new performances intersecting real and virtual worlds.

Her work has been presented at Tate Modern, David Roberts Art Foundation, 52nd Venice Biennale, Eastside Projects, Liverpool Biennial of Contemporary Art, and MIMA.

Image: Raúl De Nieves, Los oceano son la carne, 2014. Photograph by Ollie Hammick

Mike Cooter Exhibition - Copy.jpg

March 2018

The Object is Alive Exhibition - Mike Cooter - The Mimic, the Model and the Dupe

March 2018

The Object is Alive Exhibition - Mike Cooter - The Mimic, the Model and the Dupe

Click to read more

Radar has invited artist Mike Cooter to actively engage with New Walk Museum’s collection, taking inspiration from the work of Polish artist and theatre maker Tadeusz Kantor, whose work was concerned with the role and status of the object. The Mimic, the Model and the Dupe, will draw on Kantor’s Anti-Exhibition (1963) and Leicester-born naturalist Henry Walter Bates’ (1825 -92) research into a form of mimicry that would take his name. Working across holdings from fine art, natural history, industrial design, decorative arts and material cultures, the exhibition will look to explore how the objects in the collection both perform and reproduce themselves through their own agency and in symbiotic relationship with organisations that host them.

Kantor has been extensively researched by Dr Dan Watt, Senior Lecturer in Drama, Loughborough University. The exhibition is part of a wider programme, entitled ‘The Object is Alive’, that has invited artists to develop new exhibitions in response to the work of Kantor and their own interest in the agency of the object. The exhibition will be accompanied by a major symposium on the influence of Kantor taking place at Loughborough University on the 28th April 2018.

Image: Research photograph (with thanks to Michael Asher), Mike Cooter, 2017. Boiler heating the Abbey Pumping Station, home of Leicester City Council’s Industrial History Museum.

Evan Ifekoya, A Score, A Groove, a Phantom, Performance Whitstable Biennale 2016, photo by Bernard G Mills.jpg

April 2018

Music, Movement, Power: Blackness and Sonic Resistance

April 2018

Music, Movement, Power: Blackness and Sonic Resistance

Click to read more

There are a myriad of forces at work that prevent, enable and force movement. Borders prevent freedom of movement between states. Police and private security regulate movement through social space. Social housing tenants are forcibly relocated as areas are gentrified. Such issues disproportionately affect black people. Yet being made to move is not always a negative phenomenon; and a number of black musicians and artists have explored the role that music can play in creating times and spaces of collective empowerment to subvert, resist and overcome these power structures.

With contributions from musicians, artists and academics, this event explores the relationships between blackness, music, and the (in)ability to move. What is the relationship between grime and social housing? What does it mean when songs can cross borders but people can’t? How might music work within, against, and beyond a world in which free movement is denied to so many?

With Evan Ifekoya, Xana, and James Esson.

Image: Evan Ifekoya, A Score, A Groove, a Phantom, Performance Whitstable Biennale 2016, photo by Bernard G Mills

Search

Loughborough University Arts

Martin Hall Building

Loughborough University

Loughborough LE11 3TU, UK

luarts@lboro.ac.uk

01509 222 948

Join our Mailing List

Facebook

Twitter